dramatis personae

英 [ˌdræmətɪs pɜːˈsəʊnaɪ]

美 [ˌdræmətɪs pɜːrˈsoʊni]

n.  全体剧中人物

牛津词典

noun

• 全体剧中人物
  all the characters in a play in the theatre

柯林斯词典

• (一出戏中的)剧中人物，全部角色
  The characters in a play are sometimes referred to asthe dramatis personae.

英英释义

noun

• the actors in a play
  Synonym:castcast of characters

双语例句

• Vengeance: A Eternal Telepathy And Dialogue&-The Comparison on the Dramatis Personae of A Tale of two Cities and The Weald
  复仇：超时空的感应与对话&《双城记》、《原野》人物比较
• Dramatis personae created by Camus have many same characteristic with those classic tragic heroes. And we can associate them together easily.
  加缪作品的主人公具备同古典悲剧主人公相似的性格特征，其人物形象也能让我们联想到很多经典的悲剧人物。
• The great significance of Horney's ideology is to analyze and understand the mental conflict of the dramatis personae.
  霍尔奈的理论对于分析和理解文学作品的人物心理冲突具有十分重大的意义。
• This papre trying to analyze on dramatis personae charles's unnatural and natural life to discuss the meaning that human existing, from the point of philosophic theory of existentialism.
  本文试图从存在主义哲学理论出发，通过分析主人公查尔斯的非本真和本真生活来探讨人生存在的意义。
• This leads to the identity without consciousness to the traditional moral when dramatis personae obey the modern moral.
  由此而带来的道德两难现象反映到文学上，首先体现为作品中的人物在服膺现代道德时对传统道德的不自觉地认同。
• This paper investigates on the consciousness of watching& guarding represented from pure texts of Writer Xue Tao's youth novel, neither simply on the writer's nor the dramatis personae's from these works.
  本文研究的重点不是作家薛涛的守望意识，也不单纯是薛涛少年小说中人物的守望意识，而是薛涛少年小说文本本身所表现出来的守望意识。
• The second chapter: "Self and" himself are transformed into "author" and "dramatis personae".
  第二章、自我与他者关系的转换：作者与主人公。
• From the translation style of the dramatis personae's language, the author analyzes the artistic achievement of Ying Ruocheng's translation of "Death of the Salesman".
  本文试从戏剧人物语言的翻译风格的角度，试析著名艺术家、翻译家英若诚先生戏剧翻译作品《推销员之死》的艺术成就。
• Chenran ( and dramatis personae in her novels) feels much alone, meanwhile tastes the desolation, and then upgrades the loneliness to lay of philosophy and the desolation to compass of art.
  陈染在追求人类终极意义的途中，是如此地感受着孤独，品尝着忧伤，并将孤独提升到哲学层面，把忧伤升华为艺术境界。
• Therefore, chapter two and chapter three start to research mostly from the dramatic elements of the opera, it explores the theme of the opera and the causes of the romantic tragedy from the plot and the dramatis personae.
  因此第二章第三章主要从歌剧的戏剧元素进入研究，从歌剧选材和歌剧人物入手，对歌剧主题及爱情悲剧的成因进行考察。